It is a historical drama film that deals with Fengshui on graves in the Film FENGSHUI and infuses imagination into the political situation of the late Joseon Dynasty. It discusses what kind of transformation the movie’s scenario should make, focusing on the fact that the two characters, land-Reader Park Jae-sang and Heungseon-gun, can transform into more attractive characters and the two directions that make the story more interesting to the audience. In constructing the story in the scenario, the aspect that properly forms an appropriate combination of tight balance, tension, and relaxation in a good and bad confrontation is named 'balance', and through this, FENGSHUI scenario is analyzed.

The results can be summarized into the following three. First, a balance is required to properly balance good and bad confrontations by combining appropriate relaxation that can give laughter to the audience in the middle in the process of tension and immersion that occurs during Heungseon-gun and Park Jae-sang's confrontation with Kim Jwa-geun. Second, since Park Jae-sang and Heungseon-gun characters are somewhat flat, they should be characters with defects and weakness that the audience can feel and identify with, and it is necessary to supplement them to become three-dimensional and complex characters that give laughter in addition to seriousness and solemnity. Third, Fengshui should have been clearly established as the center of the story. For example, it would have been better if more scenes were added to help Park Jae-sang properly utilize Fengshui for the people in his

daily life, adding more episodes that led to Heungseon-gun and Park Jae-sang's increasing support and expect them to become stronger.